"Miracle Boy, by Pinckney Benedict"

Lizard and Geronimo and Eskimo Pie wanted to see the scars. Show us the scars, Miracle Boy, they said.

They cornered Miracle Boy after school one day, waited for him behind the shop-class shed, out beyond the baseball diamond, where the junior high's property bordered McClung's place. Miracle Boy always went home that way, over the fence stile and across the fields with his weird shuffling gait and the black-locust walking stick that his old man had made for him. His old man's place bordered McClung's on the other side.

Show us the scars. Lizard and Geronimo and Eskimo Pie knew all about the accident and Miracle Boy's reattached feet. The newspaper headline had named him Miracle Boy. MIRACLE BOY'S FEET REATTACHED IN EIGHT-HOUR SURGERY. Everybody in school knew, everybody in town. Theirs was not a big town. It had happened a number of years before, but an accident of that sort has a long memory.

Lizard and Geronimo and Eskimo Pie wanted to see where the feet had been sewn back on. They were interested to see what a miracle looked like. They knew about miracles from the Bible--the burning bush, Lazarus who walked again after death--and it got their curiosity up.

Miracle Boy didn't want to show them. He shook his head when they said to him, Show us the scars. He was a portly boy, soft and jiggly at his hips and belly from not being able to run around and play sports like other boys, like Lizard and Geronimo and Eskimo Pie. He was pigeon-toed and wearing heavy dark brogans that looked like they might have some therapeutic value. His black corduroy pants were too long for him and pooled around his ankles. He carried his locust walking stick in one hand.

Lizard and Geronimo and Eskimo Pie asked him one last time--they were being patient with him because he was a cripple--and then they knocked him down. Eskimo Pie sat on his head while the other two took off his pants and shoes and socks. They flung his socks and pants over the sagging woven-wire fence. One of the heavy white socks caught on the rusted single strand of bob-wire along the top of the fence. They tied the legs of his pants in a big knot before tossing them. They tied the laces of the heavy brogans together and pitched them high in the air, so that they caught and dangled from the electric line overhead. Miracle Boy said nothing while they were doing it. Eskimo Pie took his walking stick from him and threw it into the bushes.

They pinned Miracle Boy to the ground and examined his knotted ankles, the smooth lines of the scars, their pearly whiteness, the pink and red and purple of the swollen, painful-looking skin around them.

Don't look like any miracle to me, said Eskimo Pie. Miracle Boy wasn't fighting them. He was just lying there, looking in the other direction. McClung's Hereford steers had drifted over the fence, excited by the goings-on, thinking maybe somebody was going to feed them. They were a good-looking bunch of whiteface cattle, smooth-hided and stocky, and they'd be going to market soon.

Eskimo Pie and Geronimo were brothers. Their old man had lost three quarters of his left hand to the downstroke of a hydraulic fence-post driver a while before, but that hadn't left anything much to reattach.

It's miracles around us every day, said Miracle Boy.

Lizard and Geronimo and Eskimo Pie stopped turning his fee this way and that like the intriguing feet of a dead man. Miracle Boy's voice was soft and piping, and they stopped to listen.

What's that? Geronimo wanted to know. He nudged Miracle Boy with his toe.

Jesus, he made the lame man to walk, Miracle Boy said. And Jesus, he made me to walk, too.

But you wasn't lame before, Geronimo said. Did Jesus take your feet off just so he could put them back on you?

Miracle Boy didn't say anything more. Lizard and Geronimo and Eskimo Pie noticed then that he was crying. His face was wet, shining with tears and mucus. They saw him bawling, without his shoes and socks and trousers, sprawled in his underpants on the ground, his walking stick caught in a pricker bush. They decided that this did not look good.

They were tempted to leave him, but instead they helped him up and retrieved his socks and unknotted his pants and assisted him into them. He was still crying as they did it. Eskimo Pie presented the walking stick to him with a flourish. They debated briefly whether to go after his shoes, dangling form the power line overhead. In the end, though, they decided that, having set him on his feet again, they had done enough.

Miracle Boy's old man was the one who cut Miracle Boy's feet off. He was chopping corn into silage. One of the front wheels of the Case 1370 Agri-King that he was driving broke through the crust of the cornfield into a snake's nest. Copperheads boiled up out of the ground. The tractor nose-dived, heeled hard over to one side, and Miracle Boy slid off the fender where he'd been riding.

Miracle Boy's old man couldn't believe what he had done. He shut off the tractor's power-takeoff and scrambled down form the high seat. He was sobbing. He pulled his boy out of the jaws of the silage chopper and saw that the chopper had taken his feet.

It's hard not to admire what he did next.

Thinking fast, he put his boy down, gently put his maimed boy down on the ground. He had to sweep panicked copperheads out of the way to do it. He made a tourniquet for one leg with his belt, made another with his blue bandanna that he kept in his back pocket. Then he went up the side of the silage wagon like a monkey. He began digging in the silage. He dug down into the wet heavy stuff with his bare hands.

From where he was lying on the ground, the boy could see the silage flying. He could tell that his feet were gone. He knew what his old man was looking for up there. He knew exactly.

Miracle Boy's old man called Lizard's mother on the telephone. He told Lizard's mother what Lizard and Geronimo and Eskimo Pie had done to Miracle Boy. He told her that they had taken Miracle Boy's shoes from him. That was the worst part of what they had done, he said, to steal a defenseless boy's shoes.

The next day, Miracle Boy's old man came to Lizard's house. He brought Miracle Boy with him. Lizard thought that probably Miracle Boy's old man was going to whip the tar out of him for his part in what had been done to Miracle Boy. He figured Miracle Boy was there to watch the beating. Lizard's own old man was gone, and his mother never laid a hand on him, so he figured that, on this occasion, Miracle Boy's old man would likely fill in.

Instead, Lizard's mother made them sit in the front room together, Lizard and Miracle Boy. She brought them cold Coca-Colas and grilled cheese sandwiches. She let them watch TV. An old movie was on; it was called Dinosaurus! Monsters tore at one another on the TV screen and chased tiny humans. Even though it was the kind of thing he would normally have liked, Lizard couldn't keep his mind on the movie. Miracle Boy sat in the crackling brown reclining chair that had belonged to Lizard's old man. The two of them ate from TV trays, and whenever Miracle Boy finished his glass of Coca-Cola, Lizard's mother brought him more. She brought Lizard more, too, and she looked at him with searching eyes, but Lizard could not read the message in her gaze.

By the third glassful of Coca-Cola, Lizard started to feel a little sick, but Miracle Boy went right on, drinking and watching Dinosaurus! with a enraptured expression on his face, occasionally belching quietly. Sometimes his lips moved, and Lizard thought he might be getting ready to say something, but he and Lizard never swapped a single word the whole time.

Miracle Boy's old man sat on the front porch of Lizard's house and looked out over the shrouded western slope of the Blue Ridge and swigged at the iced tea that Lizard's mother brought him, never moving from his seat until Dinosaurus! was over and it was time to take Miracle Boy away.

Geronimo and Eskimo Pie got a hiding from their old man. He used his two-inch-wide black bull-hide belt in his good hand, and he made them take their pants down for the beating, and he made them thank him for every stroke. They couldn't believe it when Lizard told him what his punishment had been. That, Geronimo told Lizard, is the difference between a house with a woman in charge and one with a man.

Lizard saw Miracle Boy's shoes every day, hanging on the electric wire over by McClung's property line, slung by their laces. He kept hoping the laces would weather and rot and break and the shoes would come down by themselves, and that never did. When he was outside the school, his eyes were drawn to them. He figured that everybody in the school saw those shoes. Everybody knew whose shoes they were. Lizard figured that Miracle Boy must see them every day on his way home.

He wondered what Miracle Boy thought about that, his shoes hung up in the wires, on display like some kind of a trophy, in good weather and in bad. Nestled together nose to tail up in the air like dogs huddled for warmth. He wondered if Miracle Boy ever worried about those shoes.

He took up watching Miracle Boy in school for signs of worry. Miracle Boy kept on just like before. He wore a different pair of shoes these days, a brand new pair of coal-black Keds that looked too big for him. He shuffled from place to place, his walking stick tapping against the vinyl tiles of the hallway floors as he went.

I'm going to go get the shoes, Lizard announced one day to Geronimo and Eskimo Pie. It was spring by then, the weather alternating between warm and cold, dark days that were winter hanging on and the spring days full of hard bright light. Baseball season, and the three of them were on the bench together. Geronimo and Eskimo Pie didn't seem to know what shoes Lizard was talking about. They were concentrating on the game.

Miracle Boy's shoes, Lizard said. Geronimo and Eskimo Pie looked up at them briefly. A breeze swung them first gently clockwise and just as gently counterclockwise.

You don't want to fool with those, Eskimo Pie said.

Lectrocute yourself, Geronimo said.

Or fall to your doom, Eskimo Pie said.

Lizard didn't say anything more to them. He kept his eyes on the shoes as they moved through their slow oscillation, and he watched the small figure of Miracle Boy, dressed in black like a preacher, bent like a question mark as he moved beneath the shoes, as he bobbed over the fence stile and hobbled across the brittle dead grass of the field beyond.

The trees are beginning to go gloriously to color in the windbreak up by the house. The weather is crisp, and the dry unchopped corn in the field around Miracle Boy and his old man chatters and rasps and seems to want to talk. Miracle Boy (though he is not Miracle Boy yet-that is minutes away) sits on the fender of the tractor, watching his old man.

Soon enough, Miracle Boy will be bird-dogging whitewings out of the stubble of this field. Soon enough, his old man will knock the fluttering doves out of the air with a blast of hot singing birdshot from his 12-gauge Remington side-by-side, and Miracle Boy will happily shag the busted birds for him. When the snow falls, Miracle Boy will go into the woods with his old man, after the corn-fat deer that are plentiful on the place. They will drop a salt lick in a clearing that he knows, by a quiet little stream, and they will wait together in the ice-rimed bracken, squatting patiently on their haunches, Miracle Boy and his old man, to kill the deer that come to the salt.

Lizard made a study of the subject of the shoes. They were hung up maybe a yard out from one of the utility poles, so clearly the pole was the way to go. He had seen linemen scramble up the poles with ease, using their broad climbing slings and their spiked boots, but he had no idea where he could come by such gear.

In the end, he put on the tool belt that his old man had left behind, cinched it tight, holstered his old man's Tiplady hammer, and filled the pouch of the belt with sixtypenny nails. He left the house in the middle of the night, slipping out the window of his bedroom and clambering down the twisted silver maple that grew there. He walked and trotted the four miles down the state highway to the junior high school. It was a cold night there in the highlands of the Seneca Valley, and he nearly froze. He hid in the ditches by the side of the road whenever a vehicle went by. He didn't care for any one to stop and offer him a ride or ask him what it was he thought he was doing.

He passed a number of houses on the way to the school. The lights were on in somúse of the houses and off in others. One of the houses was Miracle Boy's, he knew a few hundred yards off the road in a grove of walnut trees, its back set against a worn-down knob of a hill. In the dark, the houses were hard to tell one from another. Lizard thought he knew which house was Miracle Boy's but he couldn't be sure.

His plan was this: to drive one of the sixtypenny nails into the utility pole about three feet off the ground. Then to stand one-footed on that nail and drive in another some distance above it. Then he would stand on the second nail and drive a third, and so on, ascending nail by nail until he reached the humming transformer at the top of the pole. Then, clinging to the transformer, he imagined, he would lean out from the pole and, one-handed, pluck the shoes from the wire, just like taking fruit off a tree.

The first nail went in well and held solid under his weight, and he hugged the pole tight, the wood rough and cool where it rubbed against the skin of his cheek. He fished in the pouch of nails, selected one, and drove it in as well. He climbed onto it. His hands were beginning to tremble as he set and drove the third nail. He had to stand with his back bent at an awkward angle, his shoulder dug in hard against the pole, and already he could feel the strain grinding to life in his back and in the muscles of his forearm.

The next several nails were not hard to sink, and he soon found himself a dozen feet up, clinging to the pole. The moon had risen as he'd worked, and the landscape below was bright. He looked around him, at the baseball diamond, with its deep-worn base path and crumbling pitcher's mound and the soiled bags that served as bases. From his new vantage point, he noted with surprise the state of the roof of the shop shed, the tin scabby and blooming with rust, bowed and begin ning to buckle. He had never noticed before what hard shape the place was in.

He straightened his back and fought off a yawn. He was getting tired and wished he could quit the job he had started. He looked up. There was no breeze, and the shoes hung as still as though they were shoes in a paint ing. He fumbled another nail out of the pouch, ran it through his hair to grease the point, mashed his shoul der against the unyielding pole, set the nail with his left hand, and banged it home.

And another, and another. His clothes grew grimy with creosote, and his eyes stung and watered. Whenever he looked down, he was surprised at how far above the ground he had climbed.

McClung's Herefords found him, and they stood in a shallow semicircle beneath the utility pole, cropping at the worthless grass that grew along the fence line. This was a different batch from the fall before. These were younger but similarly handsome animals, and Lizard welcomed their company. He felt lonesome up there on the pole. He thought momentarily of Miracle Boy, seated before the television, his gaze fixed on the set, his jaws moving, a half-eaten grilled cheese sandwich in his fingers.

The steers stood companionably close together, their solid barrel bodies touching lightly. Their smell came to him, concentrated and musty, like damp hot sawdust, and he considered how it would be to descend the pole and stand quietly among them. How warm. He imagined himself looping an arm over the neck of one of the steers, leaning his head against the hot skin of its densely muscled shoulder. A nail slithered from his numbing fingers, fell, and dinked musically off the forehead of the lead steer. The steer woofed, blinked, twitched its ears in annoyance. The Herefords wheeled and started off across the field, the moonlight silvering the curly hair along the ridgelines of their backs.

The nail on which Lizard was standing began to give dangerously beneath his weight, and he hurried to make his next foothold. He gripped the utility pole between his knees, clinging hard, trying to take the burden off the surrendering nail as it worked its way free of the wood. A rough splinter stung his thigh. He whacked at the wobbling nail that he held and caught the back of his hand instead, peeling skin from his knuckles. He sucked briefly at the bleeding scrapes and then went back to work, striking the nail with the side of the hammer's head. The heavy nail bent under the force of his blows, and he whimpered at the thought of falling. He struck it again, and the nail bit deep into the pine. Again, and it tested firm when he tugged on it.

He pulled himself up. Resting on the bent nail, he found himself at eye level with the transformer at the pole's top. Miracle Boy's shoes dangled a yard behind him. Lizard felt winded, and he took hold of the transformer. The cold metal cut into the flesh of his fingers. There was deadly current within the transformer, he knew, but still it felt like safety to him. He held fast, shifted his weight to his arms, tilted his head back to catch sight of the shoes. Overhead, the wires crossed the disk of the moon, and the moonlight shone on the wires, on the tarnished hardware that fixed them to the post, on the ceramic insulators. These wires run to every house in the valley, Lizard thought.

He craned his neck farther and found the shoes. Still there. The shoes were badly weathered. To Lizard, they looked a million years old, like something that ought to be on display in a museum somewhere, with a little white card identifying them. SHOES OF THE MIRACLE BOY. The uppers were cracked and swollen, pulling loose from the lowers, and the tongues protruded obscenely. Lizard put a tentative hand out toward them. Close, but no cigar.

He loosened his grip, leaned away from the pole. The arm with which he clung to the transformer trembled with the effort. Lizard trusted to his own strength to keep from falling. He struggled to make himself taller. The tips of his outstretched fingers grazed the sole of one of the shoes and set them both to swinging. The shoes swung away from him and then back. He missed his grip, and they swung again. This time, he got a pur chase on the nearest shoe.

He jerked, and the shoes held fast. Jerked again and felt the raveling laces begin to give. A third time, a pull nearly strong enough to dislodge him from his perch, and the laces parted. He drew one shoe other fell to the ground below with a dry thump. He wondered if the sound the shoe made when it hit was similar to the sound he might make. The shoe he held in his hand was the left.

In the moonlight, Lizard could see almost as well as in the day. He could make out McClung's cattle on the far side of the field, their hind ends toward him, and the trees of the windbreak beyond that, and beyond that the lighted windows of a house. It was, he knew, Miracle Boy's house. Set here and there in the shallow bowl of the Seneca Valley were the scattered lights of other houses. A car or a pickup truck crawled along the state road toward him. The red warning beacons of a microwave relay tower blinked at regular intervals on a hogback to the north.

Lizard was mildly surprised to realize that the valley in which he lived was such a narrow one. He could eas ily traverse it on foot in a day. The ridges crowded in on the levels. Everything that he knew was within the sight of his eyes. It was as though he lived in the cupped palm of a hand, he thought.

He tucked Miracle Boy's left shoe beneath his arm and began his descent.

When Lizard was little, his old man made toys for him. He made them out of wood: spinning tops and tiny saddle horses, trucks and guns, a cannon and caisson just like the one that sat on the lawn of the county courthouse. He fashioned a bull-roarer that made a tremendous howling when he whirled it overheadbut that Lizard was too small to use; and what he called a Limber Jack, a little wooden doll of a man that would dance flat-footed while his father sang: "Was an old man near Hell did dwell, / If he ain't dead yet he's living there still."

Lizard's favorite toy was a Jacob's Ladder, a cunning arrangement of wooden blocks and leather strips about three feet long. When you tilted the top block just so, the block beneath it flipped over with a slight clacking sound, and the next block after that, and so on, cascading down the line. When all the blocks had finished their tumbling, the Jacob's Ladder was just as it had been before, though to Lizard it seemed that it ought to have been longer, or shorter, or anyhow changed.

He could play with it for hours, keeping his eye sharp on the line of end-swapping blocks purling out from his own hand like an infinite stream of water. He wanted to see the secret of it.

I believe he's a simpleton, his old man told his mother.

You think my boy wants anything to do with you little bastards?

Lizard wanted to explain that he was alone in this. That Geronimo and Eskimo Pie were at home asleep in their beds, that they knew nothing of what he was doing. Miracle Boy's old man stood behind the closed screen door of his house, his arms crossed over his chest, a cigarette mugged in the corner of his mouth. The hall way behind him was dark.

I don't necessarily want anything to do with him, Lizard said. I just brought him his shoes.

He held out the shoes, but Miracle Boy's old man didn't even look at them.

Your mommy may not know what you are, Miracle Boy's old man said, and his voice was tired and calm. But I do.

Lizard offered the shoes again.

You think he wants those things back? Miracle Boy's old man asked. He's got new shoes now. Different shoes.

Lizard said nothing. He stayed where he was.

Put them down there, Miracle Boy's old man said, nodding at a corner of the porch.

I'm sorry, Lizard said. He held on to the shoes. He felt like he was choking.

It's not me you need to be sorry to.

Miracle Boy appeared at the end of the dark hallway. Lizard could see him past the bulk of his old man's body. He was wearing canary-yellow pajamas. Lizard had never before seen him wear any color other than black.

Daddy? he said. The sleeves of the pi's were too long for his arms, they swallowed his hands, and the pajama legs lapped over his feet. He began to scuff his way down the hall toward the screen door. He moved deliberately. He did not have his walking stick with him, and he pressed one hand against the wall.

His old man kept his eyes fixed on Lizard. Go back to bed, junior, he said in the same tired tone that he had used with Lizard before.


Miracle Boy brushed past his old man, who took a deferential step back. He came to the door and pressed his pudgy hands against the screen. He looked at Lizard with wide curious eyes. He was a bright yellow figure behind the mesh. He was like a bird or a butterfly. Lizard was surprised to see how small he was.

Miracle Boy pressed hard against the door. If it had not been latched, it would have opened and spilled him out onto the porch. He nodded eagerly at Lizard, shyly ducking his head. Lizard could not believe that Miracle Boy was happy to see him. Miracle Boy beckoned, crooking a finger at Lizard, and he was smiling, a strange small inward smile. Lizard did not move. In his head, he could hear his old man's voice, his long-gone old man, singing, accompanied by clattering percussion: the jiggrog wooden feet of the Limber Jack. Miracle Boy beckoned again, and this time Lizard took a single stumbling step forward. He held Miracle Boy's ruined shoes in front of him. He held them out before him like a gift.